TranSylvania, a film distributed by locally based Peccadillo Pictures Ltd, opens this Friday at the Renoir Cinema in the Brunswick Centre. I'm totally sold on the blurb and director's intro, below, so plan to be there at the ready with my bucket of popcorn and dancing shoes!
And I thought I'd include a couple of Brunswick pics (curtesy of the Brunswick Centre), just in case you've been on a desert island and haven't seen it since the grand facelift...
And I thought I'd include a couple of Brunswick pics (curtesy of the Brunswick Centre), just in case you've been on a desert island and haven't seen it since the grand facelift...
After her lover is deported to his home country of Romania, Zingarina flees France with her friend Marie in order to find him. During a surrealistic pagan festival devoted to Herod in a small Romanian town, Zingarina is finally reunited with the man she loves. However, nothing is as it seems amidst the confetti and revelry. In the madness, the noise, the music and the inebriation of the celebrations, she learns that she is alone in the world. With no bearings, no mooring, she cuts herself loose from all connections and propels herself headlong into the Transylvanian countryside, to the very edge of sanity and back, and meets a man on her journey who, also without borders nor house, decides to give Zingarina a home.
A Word from the Director – Tony Gatlif
Ever since I was a child, chance has often made me a spectator of events tied to exodus, political, economic and racial expropriation. I’ve seen families forced to leave their land and their countries in haste: the departure of the Pieds Noirs from Algeria, Algerian immigrants, Gypsies from Jaen in Andalucia or from Adriani in Transylvania after the progrom in their village.
During a recent trip to Transylvania I, once again, witnessed the pain of expropriation and exodus in the peaceful ancestral village of Rosia Montana. Western engineers and geologists had discovered a gold mine under the village and immediately a company, directed by foreign capital, despoiled the inhabitants of the village, buying the houses through preemption and leaving the occupants homeless.
Ever since I was a child, chance has often made me a spectator of events tied to exodus, political, economic and racial expropriation. I’ve seen families forced to leave their land and their countries in haste: the departure of the Pieds Noirs from Algeria, Algerian immigrants, Gypsies from Jaen in Andalucia or from Adriani in Transylvania after the progrom in their village.
During a recent trip to Transylvania I, once again, witnessed the pain of expropriation and exodus in the peaceful ancestral village of Rosia Montana. Western engineers and geologists had discovered a gold mine under the village and immediately a company, directed by foreign capital, despoiled the inhabitants of the village, buying the houses through preemption and leaving the occupants homeless.
In writing this script about a young Romanian musician who had emigrated to France, I was inspired by real events. The story was of Florin who, only through his talent as a violinist, was able to keep his family alive. Before long, however, Florin was torn away from the young Frenchwoman whom he loved in Paris and found himself expelled from the country.
The love story of the prodigious violinist Florin fused with the story of Rosia Montana and its cursed gold mine to inspire the script for my new film, TRANSYLVANIA.
The love story of the prodigious violinist Florin fused with the story of Rosia Montana and its cursed gold mine to inspire the script for my new film, TRANSYLVANIA.
“AN EXTENDED EXPLORATION OF ROMANY GYPSY CULTURE AND MUSIC… BE READY TO DANCE” DAZED & CONFUSED
“IF YOU ONLY SEE ONE INTERNATIONAL FILM THIS YEAR, TRANSYLVANIA SHOULD BE IT”MYVILLAGE.COM LONDON
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